![]() Was it Taika Waititi’s choice to bring you on board? The Thor: Ragnarok soundtrack is unlike any other Marvel soundtrack. He’s been over to my place and played piano in my studio for the stuff. ![]() I didn’t even know that until the last couple years. He lives not that far away, and he’s a great pianist. But in Thor - I hope they let Taika Waititi do a director’s cut that’s about a half an hour longer, because there’s all this kind of crazy ad-libbed stuff that Anthony Hopkins and Jeff Goldblum did that’s really wild. Like, by the time we got to The Life Aquatic, Wes was flying me over to Italy to walk through the sets with him and I would write pieces of music for him to listen to on headphones. But usually they’ve shot things by the time you get there. ![]() Sometimes if you’re writing a song for a project, you get brought in early. But you know, the reality is that it’s kind of that there’s intellectual properties that get shared and mixed together that, when you’re a composer, you’re at the tail end. Did Thor: Ragnarok feel like a reunion between you two? You’ve also worked with Jeff on commercials.
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